Revisiting the Progressive Poetry of Shaikh Ayaz
Sanaullah Rustamani *
Shaikh Mubarak Ali Ayaz, literarily known as Shaikh Ayaz, is believed to be one of the greatest progressive poets of Pakistan. He was born in Shikarpur district of Sindh province on 23 March 1923 and died on 28 December 1997. He initially practiced law as a profession and was also appointed Vice Chancellor of the University of Sindh. But amongst the masses, he is famous due to his poetry.

Ayaz, influenced by the progressive movements both within Pakistan and across the globe, introduced progressive ideas into Sindhi literature. His poetry is replete with the message of courage, motivation and inspiration for the have-nots and the underprivileged. He became popular at a time when leftist communists were the talk of the town. Apart from eulogizing the bravery and commitment of the sons of his soil; he paid homage to international revolutionary figures also. He dedicated one of his poems to Che Guevara. He wrote about the death of Chile’s rebel singer, Victor Hara, and introduced Dostoevsky and Tolstoy to his readers (Soomro 2005).

In his writings, Ayaz propagated the message of anti-imperialism and anti-capitalism. For such writings he had to suffer. He was put behind bars from 1965 to 1968 by military dictator Ayub Khan and from May 1971 to January 1972 by Yahya Khan (Indus Asia Online Journal 2012). He was admired particularly by the educated youth of Pakistan in general and Sindh in particular. His poems challenged the status quo during the 70s and 80s and asked the masses to fight against tyranny both within and outside Pakistan.

In the preface of one of his 1998 books, Asif Farukhi observes that the poetry of Ayaz is a blend of classicism and cosmopolitanism. But, Ayaz was also influenced by the leftists.

He encouraged the oppressed people of Pakistan to raise their voices for their genuine demands and jolt the foundations of tyranny and get rid of an obsolete system led by dictators like Yahya Khan and General Zia-ul-Haq. A system of government, which, to him, did not meet the rights of people, and was good for nothing.

He, in one of his poems addressing oppressors, says that you ask me not to speak and you ask me not to lament, but there are thousands who denounce you, not me alone. So how many voices will you silence? Ayaz through his poems tried to raise conscience of the masses. In one of his poems he says:

Ajj har kinh jo hee rayo aa, to neenh Ayaz nibhayo aa

To gaata geet baghawat ja, to latha zang zameeran ja

(Today everyone opines that Ayaz you fulfilled your commitment

You sang the songs of revolt and you removed the stains of consciences)

This paper will study Ayaz’s books and those of his contemporaries to examine his progressive poetry and analyze how far it acted as a catalyst for change in Pakistani society. The paper will recommend further appraisal of his poetry and its incorporation of his work in university level syllabus across South Asia.

References

Ayaz, S. 1998, Kari Rat Kuhung, (Bird at Dark Night), Roshni Publication Kandyaro, Sindh, Pakistan.

Indus Asia Online Journal 2012, ‘Remembering Shaikh Ayaz’, 1 March,

, accessed 1 November 2013.

Soomro, I.  2005, ‘Author: Song of thirsty peacocks’, Daily Dawn Karachi, 25 December,

, accessed 1 November 2013.

* Mr. Sanaullah Rustamani is a columnist and civil society activist based in Hyderabad, Pakistan. He did his M.Phil. in Applied Linguistics from the International Islamic University, Islamabad, Pakistan.