A Minority within a Minority
Ameena Hussein*

As a Muslim writer, I often find myself in weird and wonderful situations, writing in English, living in a predominantly Sinhala Buddhist nation with Sinhala as the national language. For example, representing Sri Lanka at the International Writers Programme at the University of Iowa in 2005, I spoke about being a Muslim writer in the global context at one session and being a Sri Lankan writer at the very next. Within Sri Lanka if I am asked to speak it is often as a Muslim writer or as one who writes in English. Both fall into the minority categories.

This paper will be about being a Muslim writer as I realize that many of the stories I tell deal with the Sri Lankan Muslim community. Similar to Rohinton Mistry using fiction to illustrate the position and culture of the Parsees in India, I find myself using fiction to portray my own community to my fellow citizens, for, despite us claiming to be a multicultural society, in reality we are quite separate and ignorant of the other cultures that live beside us. I also use fiction as a vehicle to highlight issues within the Sri Lankan Muslim community that may provoke discussion or in an ideal situation even change. I have been trained as a sociologist, and an early critic of my stories once wrote that there is too much sociology in my writing. Hopefully with each book I will be more writer and story-teller than sociologist but I confess that hard as I try, it’s difficult to remove the sociologist within me.
* Ms. Ameena Hussein graduated with two degrees in Sociology, specialising in gender and ethnicity and has worked in a non-governmental organisation focusing on violence against women and human rights for a decade. Her first novel The Moon in the Water was published in 2009 and long listed for the Man Asian Literary Prize.